miércoles, 23 de agosto de 2017

Ceasar Frazier • Hail Caesar!

Hail Ceasar! is the first album to feature organist Ceasar Frazier as a leader and it is very much a monster bit of funky jazz. The LP consists of a number of long tracks that all jam mightily, right up there with the best of the Soul Jazz grooves coming out of the early seventies. The album was released on the rare Eastbound label a jazz subsidiary of Westbound Records. It's overall success is contributed to highly by the recording maestro Rudy van Gelder. Ceasar pulls together a Prestige-styled combo with a group of players well-known and recorded by van Gelder. It includes Houston Person on soulful sax, Cecil Bridgewater blowing away on Trumpet, Melvin Sparks throwing in some heavy licks, Gordon Edwards ramping up the bass, Idris Muhammad smashing away on drums and Buddy Caldwell doing his bit on the congas. As a first this album truly showcases Ceasar grooving hard on the organ and the chosen tracks don't disappoint. Well recommended!

Terry Gibbs • El Latino

Tiny Topsy • Tiny Topsy & Friends

Born Otha Lee Moore, 22 May 1930, Chicago, Illinois
Died 16 August 1964, Chicago, Illinois.

Active from the mid-40s, when she sang with the Al Smith band in Chicago, Tiny Topsy also made a number of well-received R&B records under her own name during the late 50s and early 60s. Among her recording sessions are some for Federal Records, from one of which came ‘Aw! Shucks, Baby’/‘Miss You So’, billed as by Tiny Topsy And The Five Chances, and which featured tenor saxophonist Ray Felder and vocal group the Charms. Also for Federal she made ‘Come On, Come On, Come On’/‘Ring Around My Finger’, ‘Waterproof Eyes’/‘You Shocked Me’, ‘Western Rock’n Roll’/‘Cha Cha Sue’ and ‘Just A Little Bit’/‘Everybody Needs Some Loving’. Of these, ‘Just A Little Bit’ was later covered very successfully by several artists, including Rosco Gordon and Jerry Lee Lewis. She also released ‘After Marriage Blues’ and ‘Working On Me, Baby’, recorded in 1961 for Argo Records. For some years ‘Tiny Topsy’ was believed to be a pseudonym used by singer-songwriter Bernice Williams (who wrote ‘Western Rock’n Roll’) although this is now largely discounted. Just who Tiny Topsy was remains unknown.

Alberto Marsico • Organlogistics


Herbie Mann • Sugarloafː Jazz Impressions Of Brazil

This album was issued previously, this version was released in 1968 on the Solid State label, the leader is accompanied by Billy Bean on guitar, Carlos Valdez on conga, Willie Bobo on drums, Haygood Hardy on vibes, Dave Pike on marimba, Bill Salter on bass, Jose De Paul on tambourine and Carmen Costa on maracas.

Robert Walter's Super Heavy Organ • Live at The Cabooze 28-09-2008

Wynton Kelly Trio & Wes Montgomery • Smokin' In Seattle-Live At The Penthouse

Toquio Bossa Trio • Angel Eyes

The Tormentos • Grab your board!

Antoni Gaudí • Jeremy Roe, pdf

pdf / 208 páginas / Idioma: ingles / texto editable (copiar y pegar en traductor)
Pdf / 208 pages / Language: English

martes, 22 de agosto de 2017

Leonieke Scheuble ‎• In The Studio

Leonieke started to play piano after being inspired by “Ray,” a movie based on the life of Ray Charles. Without any prior musical training, she began to spend great lengths of time at the piano
creating pieces that were rhythmically interesting and compositionally balanced. She was 5 or 6.
At age 7, Leonieke recorded a handful of pieces including two of her own compositions. This was brought to the attention of Steve Ash, a highly respected Jazz pianist, who then agreed to take her on as a student. She has been with him ever since.
As her love of Jazz, Blues, Soul and Gospel motivated her to develop her musical skills, Leonieke has received a great deal of attention and has been afforded some wonderful opportunities. Among them, would be winning the 2013 International Women in Jazz “Youth in Action” Award and giving performances at The DiMenna Center, Shanghai Jazz, The Kitano, Silvana’s, Symphony Space, Trumpets and several times at both the Nuyorican Poet’s Cafe and The Watchung Arts Center with the Beacon Hill Jazz Band. In November of 2015, The New Brunswick Jazz Project presented Leonieke’s quartet which included two prominent jazz masters, Bill Easley and Bill Crow.
Besides nightclubs and jazz venues, Leonieke also has performed in many Jazz vespers along with musicians such as Steve Turre (Saturday Night Live Band), Tim Ries (saxophonist/keyboardist for the Rolling Stones), Sharel Cassity, Mark Gross and Steve Davis. She has also performed fundraisers for The Un-Domiciled Project (Brooklyn, NY), Love Notes for the Homeless (Union, N.J.), American Cancer Society (Rockaway, NJ) and The Victoria Soto Memorial Scholarship (Woodstock, CT).
Two of the world’s most respected organists have played pivotal roles in Leonieke’s development. The first is Joey DeFrancesco who introduced her to his Hammond B-3 at Dizzys Club Coca-Cola (Jazz at Lincoln Center) in February of 2011. The second is Dr. Lonnie Smith, who after meeting and hearing a clip of Leonieke, arranged for a Hammond organ to be delivered to her as a gift. Another important influence is Bob Belden, (former A&R Blue Note records). Mr. Belden introduced Leonieke to Herbie Hancock and had become a mentor (Belden) until his untimely passing.
In October of 2013, Leonieke and trombonist, Coleman Hughes were the feature for an hour long special called “The Future of Jazz” over radio station WBGO (the foremost jazz radio station in America). Later that month, she entered the studio of Rudy Van Gelder, widely regarded as the greatest engineer in jazz history, and began recording her first professional album, “Debut”. Among the musicians contributing their talents to this recording is the legendary Jimmy Cobb.
Shortly after it’s release, the legendary jazz club, Birdland, added “Debut” to their house system.
Leonieke was recently named “Best Up & Coming Young Artist” (HotHouse NYC Fans Decision 2015 Awards).

The Stargazers • Give Me That Jive